Spuffy shippeuse ♥
Nombre de messages : 11473
Age : 26
Localisation : Sud de la France ^^
Date d'inscription : 04/03/2008
|Sujet: Worst heroic lead characters Sam 21 Avr 2012, 02:12|| |
+ Worst heroic lead characters +
Pas moins de deux héroïnes du Whedonverse se retrouvent dans la liste, notre Tueuse inclue.
- Citation :
- Todd VanDerWerff
You know what? I didn’t really like Buffy Summers, particularly as Buffy The Vampire Slayer went on. Even when I enjoyed the character, more or less, I enjoyed the people around her a lot more, and by the last season—when she was given lots of dull, repetitive speeches about the nature of leadership and heroism—I was actively hoping the show would go find something else to pay attention to for a while. (That said, the final moment with her in the series finale is quite good.) I respected what Joss Whedon was doing with the character and skewing the traditional hero’s journey through a feminist perspective. But at the same time, I found Sarah Michelle Gellar’s work wildly inconsistent. She’d be brilliant in one episode (“The Gift,” say), then seem like she’d rather be doing just about anything else in the next. Buffy is one of my favorite shows ever made, and saying that when I found the center of the show so often lacking just suggests how good the show actually is.
- Citation :
- Sam Adams
I realize Whedonesque readers will have my head on a stick for this, but Dollhouse felt like a potentially great show hamstrung by the weakness of its lead actor, Eliza Dushku. As Buffy’s badass slayer, Faith, Dushku worked perfectly as a warped mirror image of Sarah Michelle Gellar’s virtuous vamp-staker. But even though Whedon wrote Dollhouse with Dushku in mind, she seemed hopelessly out of her depth as a mutable “doll” required to take on a new identity almost every week. There are successful, even great, television actors who are essentially one-trick ponies: They do one thing, and they do it well. January Jones may be a terrible actress in everything else, but she’s still great on Mad Men. Dollhouse, however, required serious chops, not just to realize the show’s role-playing conceit, but to lure the audience into feeling for characters who were, at least theoretically, blank slates. Enver Gjokaj, Amy Acker, and Alan Tudyk nailed their personae, while Olivia Williams and Harry Lennix gave the show the gravitas needed to ground its potentially toxic premise. Even Fran Kranz, who for most of the two-season run functioned as an animate dispenser of Whedon’s trademark neologisms, found new depth in his amoral tech geek as the show wound down. Dushku was the weak link, and she stayed that way, no matter how often Dollhouse stripped her down to her skivvies.
"We’re all wounded. We carry our wounds around with us throughout life and eventually they kill us. Things happen that leave a mark in space, in time… in us
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